Alex Brooker and Scarlett Moffatt photographed for Channel 4’s Hobby Man

Video production guide

How to plan a video production brief

A strong video brief makes one clear communication job easier. It connects the audience and message to the people, locations, footage and versions needed to tell the story.

The short answer

Start with what the finished work must achieve.

Define who should watch, what they should understand or do next, and where the film will be shown. Then agree contributors, locations, interview themes, supporting footage, duration, versions, deadline and approval process.

01

Choose one primary audience and outcome

A film becomes difficult when it is expected to recruit staff, explain a service, document an event and sell to customers at the same time. Pick the main audience and the most important response first. Secondary uses can then be planned without weakening the central story.

A useful brief might ask prospective clients to understand a complex service, help candidates picture the workplace or give event attendees a reason to return next year. That is more actionable than asking for a video that simply feels engaging.

02

Decide what must be heard and what must be shown

Interviews provide explanation and credibility. B-roll proves what the contributor is describing and gives the edit visual rhythm. List the processes, places, people, products or interactions that would make the story clear without relying on claims alone.

John can turn themes into interview prompts and a practical B-roll plan. Scripted delivery is useful for precise statements; guided conversation usually sounds more natural for customer stories, staff films and case studies.

03

Plan for sound, access and time

A quiet interview room, controlled light and enough time for contributors normally improve a corporate film more than an elaborate camera move. Identify noisy machinery, public areas, shift patterns, travel between locations and any permissions before the schedule is fixed.

If still photography, drone footage or multiple offices are part of the same production, include them in the first plan. One joined-up schedule can avoid duplicated setup and disruption.

04

Specify every version before filming

A two-minute website film, a vertical social edit and a silent exhibition loop are different deliverables. They may use the same production day, but framing, pacing, titles and captions should be anticipated while filming rather than improvised at the end.

  • Main film and target duration
  • Horizontal, vertical or square versions
  • Short cutdowns and opening hooks
  • Captions, subtitles and supplied brand graphics
  • Music, voiceover or original sound
  • Delivery date and file destinations
05

Set a simple approval route

Name the person who can approve the brief and consolidate feedback. Agree which factual, legal or brand reviewers must see the edit and when. A single, ordered feedback route prevents contradictory comments and protects the schedule.

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